A lot of composers publish Youtube videos in which they share their composing and mixing advice in a less boring manner than I do here on my old-fashioned blog page. I still prefer to read[…]
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Half-year wrap-up
For me the Covid situation shook up 2020’s first half in different ways. First I had fallen sick for almost two months and lost 1/7 of my weight during that short period of time. Then[…]
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Conan “light”
As part of my personal “throwback series” of re-composing/re-arranging compositions that I did in my early years, I’ve recently finished working on “The Temple of the Spidergod”. Why even bother about something I did 20[…]
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Bye bye Cubase…
As are probably many of you, I’m constantly improving my workflows and adjusting my templates. So far this has been a burdensome process, particularly in Cubase which offers practically nothing to manage templates, not even[…]
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Speeder Bike Composing Challenge
I don’t know how you spend your days, but for me this lockdown is not exactly a source of inspiration, so I asked on Twitter for suggestions what music to compose to lift my spirits.[…]
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Alternate Scores on Youtube
In 2019 YT has changed a lot about its policies. They are now much more strict and likely to ban videos if they seem to conflict with copyrights. That’s a problem when it comes to[…]
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The Holy Grail of Reverbs
For musicians the search for the perfect reverb plug-in is like the quest for the holy grail. As I started out composing with samples I first used algorithmic reverb, then was the arrival of convolution[…]
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Virtual Instruments Upgrade in sight
It’s time for a tech update in context with a rehash of my “customer journey” through the world of sample libraries: I started out with samples in 2001 with Vienna Symphonic Library (then called “Opus[…]
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Aladdin Score and Music Analysis
This is my personal observations of music and score of 2019’s Aladdin in comparison with the 1993 version. I’ll tell you why I think – despite being an absolute fan of the original – that[…]
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