This is part 3 of a series on my modus operandi as a music composer. This time we’re going into musical vision. Naturally this is something that’s beyond words, but I’ll try to explain it[…]
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This is part 3 of a series on my modus operandi as a music composer. This time we’re going into musical vision. Naturally this is something that’s beyond words, but I’ll try to explain it[…]
Before we go into musical vision, I’d like to share with you some aspects of preparation, particularly two templates that I use. 1. Orchestral MIDI Template The template which is the most important for me[…]
I can’t imagine how burdensome it must have been for composers in the 20th century to estimate and calculate timing and tempo and then conduct the orchestra in a way that hits all the sync[…]
Originally I had planned to do a single blog post about my modus operandi as a composer. However, there have been quite a number of questions after I announced this, so I decided to split[…]