As part of my personal “throwback series” of re-composing/re-arranging compositions that I did in my early years, I’ve recently finished working on “The Temple of the Spidergod”. Why even bother about something I did 20[…]
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Category: News
Bye bye Cubase…
As are probably many of you, I’m constantly improving my workflows and adjusting my templates. So far this has been a burdensome process, particularly in Cubase which offers practically nothing to manage templates, not even[…]
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Speeder Bike Composing Challenge
I don’t know how you spend your days, but for me this lockdown is not exactly a source of inspiration, so I asked on Twitter for suggestions what music to compose to lift my spirits.[…]
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Alternate Scores on Youtube
In 2019 YT has changed a lot about its policies. They are now much more strict and likely to ban videos if they seem to conflict with copyrights. That’s a problem when it comes to[…]
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Virtual Instruments Upgrade in sight
It’s time for a tech update in context with a rehash of my “customer journey” through the world of sample libraries: I started out with samples in 2001 with Vienna Symphonic Library (then called “Opus[…]
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Aladdin Score and Music Analysis
This is my personal observations of music and score of 2019’s Aladdin in comparison with the 1993 version. I’ll tell you why I think – despite being an absolute fan of the original – that[…]
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Your Name, My Name, Our Name… naming matters!!
Recently I released my latest composition Don’t Forget My Name on streaming services worldwide. You probably think that the album title doesn’t matter too much. Well, that’s what I thought too. Let me tell you[…]
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Rescore Project finished: “Your Name”
I’m happy to share with you the final version of my latest rescore project, the 2016 anime Your Name, and also the story behind it: My daugther immediately fell in love with the book and[…]
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Thank you for 2018!
2018 has been a very exciting year and I want to say thank you to each and every one of you who followed me, talked to me, shared my music, my thoughts, my tweets and[…]
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